Produced, directed by the Hughes Brothers. Aftergenerating so much electricity and promise through most of the running time , feeling at fade-out is, unfortunately, one of unsettled disappointment and smothering hopelessness. The plot, direction and performances will hold your attention while the music, set design, threads, and conscienceness will have you waxing nostalgia Executive producer, Darryl Porter. Reviewed at Cinerama Dome, L. After the success of their debut movie Menace II Society from , I remember wondering with anticipation how the Hughes would follow-up with their next film. Then the trailers starting running, showing the cast and choice scenes with the menacing makeup, backed by a soundtrack featuring a collection of soul classics.
Most people will credit Chris Tucker more because he provides the "in your face" funny-funny, but Larenz Tate owns this film. After the success of their debut movie Menace II Society from , I remember wondering with anticipation how the Hughes would follow-up with their next film. Building momentum as it sends its young protagonist through an ever-growing number of unexpected and harrowing experiences, the film ends up having to simplify or toss away many of the issues it presents, and finally lets itself down by cramming its outstandingly diverse characters and notions into a rigid genre format in the final half-hour. If you can overlook the lack of extras, I highly recommend the disc - or rather the movie. Reviewed at Cinerama Dome, L. Aftergenerating so much electricity and promise through most of the running time , feeling at fade-out is, unfortunately, one of unsettled disappointment and smothering hopelessness. His best buddies are the somewhat crazy, life-of-the-party Skip Chris Tucker and the unpredictable Jose Freddy Rodriguez. Produced, directed by the Hughes Brothers. The Brothers have a style unto themselves, though they admit to prominent influences as inspiration. Although the use of widescreen gives the picture a welcome size, visual style is a distinct disappointment, with murky lighting and lackluster compositions giving the images an indistinct look. Then the trailers starting running, showing the cast and choice scenes with the menacing makeup, backed by a soundtrack featuring a collection of soul classics. The best thing about a Hughes Brothers movie is there is never a boring moment. Once back home in , Anthony faces the sad legacy of many Vietnam vets: In New York Film Festival. The movie itself is just too cool for words. Incidently, the Dead Presidents soundtrack took on a life of its own as well, proving so successful a second volume was released. More Reviews Film Review: For me, it's just that having a video tape of the movie with at least the video on it, then buying a DVD in essence, an upgrade without the video or any other extras is crazy. The Hughes Brothers' Dead Presidents was one of the cooler films from With the political assassinations of not even mentioned, the relatively happy-go-lucky mind-sets and music of that period gradually grow darker and more dissonant until there seems to be no way out. All the same, an ending offering some ambiguity and diversity for the different characters might have been more appropriate than the blanket of bleakness served up. Executive producer, Darryl Porter. Explicitly revealing the meaning of its title in a credit sequence featuring burning U. In a relatively proper, lower middle-class Bronx neighborhood of , the good-natured, somewhat naive year-old Anthony Larenz Tate is just finishing high school. The plot, direction and performances will hold your attention while the music, set design, threads, and conscienceness will have you waxing nostalgia
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