Old Comedy[ edit ] Lysistrata belongs to the middle period of Aristophanes' career when he was beginning to diverge significantly from the conventions of Old Comedy. The Old Women complain about the difficulty they had getting the water, but they are ready for a fight in defense of their younger comrades. When the magistrate points out that men also age, she reminds him that men can marry at any age whereas a woman has only a short time before she is considered too old. The epic poet is quoted in a circuitous manner when Lysistrata quotes her husband  who quotes from a speech by Hector in the Iliad as he farewells his wife before going to battle: A famous tyrannicide, he is mentioned briefly here with approval by the Old Men. The Old Men are content to be comforted and fussed over by the Old Women; and thereupon the two Choruses merge, singing and dancing in unison.
The Athenians and their allies suffered a catastrophic defeat in the Sicilian Expedition , a turning-point in the long-running Peloponnesian War. Influence and legacy[ edit ] An Athenian commander, mentioned here by Lysistrata in connection with the Spartan king Pericleides who had once requested and obtained Athenian help in putting down a revolt by helots. During the pnigos of the second section, the magistrate is dressed like a corpse, highlighting the argument that war is a living death for women. Devotees of the Asiatic goddess Cybele—Lysistrata says that Athenian men resemble them when they do their shopping in full armour, a habit she and the other women deplore. Encumbered with heavy timbers, inconvenienced with smoke and burdened with old age, they are still making preparations to assault the gate when a Chorus of Old Women arrives, bearing pitchers of water. She then dresses the magistrate like a corpse for laying out, with a wreath and a fillet, and advises him that he's dead. Outraged at these indignities, he storms off to report the incident to his colleagues, while Lysistrata returns to the Acropolis. After rallying her comrades and restoring their discipline, Lysistrata again returns to the Acropolis to continue waiting for the men's surrender. An Athenian aristocrat and oligarch, he is mentioned here by Lysistrata as typical of a corrupt politician exploiting the war for personal gain. A contemporary comic poet, he is quoted by Lysistrata as the author of the saying: Myrrhine fetches a bed, then a mattress, then a pillow, then a blanket, then a flask of oil, exasperating her husband with delays until finally disappointing him completely by locking herself in the Acropolis again. A minor politician who afterwards figured significantly in the trial of Socrates,  he is mentioned here merely as the husband of a woman that the Old Men have a particular dislike for  he is mentioned also in The Wasps. The dramatic poet receives two brief mentions here, in each case by the Old Men with approval as a misogynist. All sing a merry song in praise of Athene, goddess of wisdom and chastity, whose citadel provided a refuge for the women during the events of the comedy, and whose implied blessing has brought about a happy ending to the play. She explains to him the frustrations women feel at a time of war when the men make stupid decisions that affect everyone, and their wives' opinions are not listened to. A famous tyrannicide, he is mentioned briefly here with approval by the Old Men. Please help improve this article by adding citations to reliable sources. The play served as the basis for the musical The Happiest Girl in the World. It featured modern elements and major anti-war messages. The tragic poet is mentioned briefly  as the source of a ferocious oath that Lysistrata proposes to her comrades, in which a shield is to be filled with blood; the oath is found in Seven Against Thebes. The agon in Lysistrata is thus a fine example of rhetoric even though it is unusually one-sided. In addition, veterans returned to legal segregation and near disfranchisement in the South, as well as more subtle but definite de facto segregation in many northern cities. A man suddenly appears, desperate for sex. An Athenian pimp and a prostitute,  mentioned briefly to illustrate sexual desire. The delegates briefly squabble over the peace terms; but, with Reconciliation before them and the burden of sexual deprivation still heavy upon them, they quickly overcome their differences and retire to the Acropolis for celebrations.
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