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The Hayseeds franchise had long belonged to Beaumont Smith, and there was little point being too generous in relation to possessory credits, when there were deals to be made and franchises to protect, even if this would turn out to be the last cinema outing for the Hayseed family. Williamson Picture Productions Budget: However the talkies didn't suit Beaumont Smith as well as the silents had, and he would direct only one more feature, Splendid Fellows. The archive can also be approached for a copy. Beaumont Smith featured the entire chorus of Music in the Air in the Pymble song and dance sequence featuring a host of young women as dancing bush walkers. Publicity for the film pointedly contrasted his short shooting schedule of seven weeks, with the eighteen weeks Ken Hall had spent on The Squatter's Daughter. Morton-Chapple's musical number Tramp to Happiness. The film did solid business, running into January after its early December release at the Civic in Sydney "sixth great week" shrieked the press ads , and thereafter doing solid Christmas holidays business at other locations, enough to make "an easy profit over its low cost". Copies derived from the VHS source can also be found circulating on DVD amongst collectors, with the quality of the image depending on the quality of the source material used.

Hayseeds


The three leads were cast for their singing abilities, with John Moore singing F. Publicity for the film pointedly contrasted his short shooting schedule of seven weeks, with the eighteen weeks Ken Hall had spent on The Squatter's Daughter. Beaumont Smith knew these sources well, having first been involved in helping turn On Our Selection into a play. Copies derived from the VHS source can also be found circulating on DVD amongst collectors, with the quality of the image depending on the quality of the source material used. Kellaway would have greater success in later, more sophisticated roles, and would move on to an international career. Cinesound studios, Rushcutters Bay, in and about Sydney, with a number of nearby bush locations, Pymble, for example, for the hiking song and dance number. While the mix of patriotism and farce worked well enough for a local audience - Australian audiences have always shown a taste for rustic and bogan comedy - the film didn't travel well internationally. The Hayseeds franchise had long belonged to Beaumont Smith, and there was little point being too generous in relation to possessory credits, when there were deals to be made and franchises to protect, even if this would turn out to be the last cinema outing for the Hayseed family. Beaumont Smith featured the entire chorus of Music in the Air in the Pymble song and dance sequence featuring a host of young women as dancing bush walkers. Beaumont Smith spent only a month post-producing the film before getting it out into the Civic Theatre in Sydney for its premiere. It was Cecil Kellaway's first role in a feature film, and he too was signed because of his voice, and his successful musical comedy career, though as "Dad" Kellaway, he lacked the natural fit of a Bert Bailey doing a Steele Rudd "Dad". The film did solid business, running into January after its early December release at the Civic in Sydney "sixth great week" shrieked the press ads , and thereafter doing solid Christmas holidays business at other locations, enough to make "an easy profit over its low cost". However the talkies didn't suit Beaumont Smith as well as the silents had, and he would direct only one more feature, Splendid Fellows. The film is no classic, but it is essential viewing for students of the "rustic comedy" genre, with bucolic clowns and bonus Australiania, of the kind that dominated the s in Australia feature film-making. The family was revived in with Townies and Hayseeds, quickly followed by Prehistoric Hayseeds the same year, before bringing the family back one last time as a talkie in The Hayseeds. Williamson Picture Productions Budget: Morton-Chapple's musical number Tramp to Happiness. The ASO has three clips from the film here , but hardened Ozmovie cultists know that this is just a stop-gap taster, and at some point, they'll have to go the full rustic. For general exhibition Running time: As the ADB points out, while Raymond Longford might have been creatively more imaginative, Beaumont Smith was a better deal maker, with film distribution managers amongst his closest friends. He managed to do a considerable amount of location shooting while juggling availabilities of cast, and speed was required because the three principals - Cecil Kellaway, John Moore and Shirley Dale - were in the hit musical Music in the Air, and were required to go to Melbourne. Beaumont Smith produced some seven Hayseeds shows, starting in with Our Friends, the Hayseeds, which was a strong commercial hit, and which owed more than a little to other successful stage shows about hicks from the sticks, including On Our Selection, and The Waybacks. Beaumont Smith fancied himself as a quick shooter. Kellaway's eight year old son Bryan also made his debut playing eight year old Billy Hayseed Beaumont Smith acknowledged that the inspiration for the ballet sequences, filmed from above, with the dancers appearing in striking patterns, was American productions such as 42nd Street and The Kid from Spain. The archive can also be approached for a copy. Some sources claim that there remains some concern as to who directed the film.

Hayseeds

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Melkree

22.11.2017 at 10:12 pm
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Copies derived from the VHS source can also be found circulating on DVD amongst collectors, with the quality of the image depending on the quality of the source material used.

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