Ana defies Carmen her mother and applies to college, despite warnings against such behavior. That night, Ana's family throws her a little party to celebrate the end of her high school years. Ana's mother is resolute, saying that there is absolutely no way Ana will go away. Ana's grandfather and father try to defuse the situation, until her mother and Estela start discussing the family factory — a very small run-down dressmaking warehouse that Estela runs, and Carmen works at. At first, Carmen convinces Ana and the rest of the family that her place is in Los Angeles with her family, but eventually Ana decides that she needs more out of her life and more importantly needs to break free from her domineering mother and her father agrees to support her. Carmen says Ana belongs at home and that's the end of the story. An old woman is standing at her front gate, singing enthusiastically.
Although Ana does consent to spend sweaty summer days working in the factory, she spends her nights writing her college entrance essay for Columbia University and sneaking out to see her caucasian boyfriend Jimmy. Carmen says Ana belongs at home and that's the end of the story. This article needs an improved plot summary. Ana erupts and says she absolutely refuses to miss her last day of high school and stomps out of the room. Ana develops a relationship which later becomes sexual with Jimmy, a boy from her high school who thinks that people in the United States have it too easy, because everything is given to them. Ana's mother is resolute, saying that there is absolutely no way Ana will go away. An old woman is standing at her front gate, singing enthusiastically. Later, Ana tries to convince Estela to face down the executive in charge of her clothing line to grant her an advance so she can keep the factory running. Carmen insists, saying it's time Ana starts working for the family, no matter how little money she gets paid. That night, Ana's family throws her a little party to celebrate the end of her high school years. She also starts to call out her mother on her critical and emotionally abusive ways. The camera then brings us into the living room of a home on the same street. Her mother nags Ana about not eating too much cake because of her weight, and emphasizes the need for Ana to get married and have children. Moments later, Carmen gets out of bed and is apparently quite alright. The woman refuses, and instead Ana convinces her father to give Estela a small loan after Ana sees how hard Estela works to produce clothing she is proud of. As the summer goes by Ana grows into a confident woman through experiences with Jimmy, and positive self-affirmation. Despite the warnings of her critical mother, Ana gains support from her sister and father to pursue success beyond the borders of East Los Angeles. Ana's father seems open to the idea, but does not say anything in the face of his wife's strong stance. At the end of the day, her teacher asks her to consider applying to colleges. At that moment, her high school teacher arrives at the house, and asks to talk to Ana's parents about the possibilities of Ana going to college. Later, at the factory, all of the women working there except Carmen grow exhausted of the heat and Carmen's critiques of their bodies and strip down to their underwear, comparing body shapes, stretch marks, and cellulite, inspiring confidence in one another's bodies. The thought of Ana going to college torments Ana's mother, Carmen, because she wants to keep her family together. Carmen also wants Ana to help work in the family-owned textile factory, run by Ana's sister Estela. Ana wants to do something else, but doesn't have a job. Ana's grandfather and father try to defuse the situation, until her mother and Estela start discussing the family factory — a very small run-down dressmaking warehouse that Estela runs, and Carmen works at.
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