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My favorite like that of some of the other reviewers below is Neil Gaimann's brilliant alternate-world yarn, "A Study in Emerald. While Lovecraft concentrated almost entirely on male characters, some of the writers here, happily, do not: Mar 10, Werner rated it really liked it Recommends it for: Vaughn Sherlock Holmes and the Ancient Gods, etc. As is usually the case in multi-author anthologies, the quality of the work is uneven. Watson's untold cases, while Reaves's "The Adventure of the Arab's Manuscript" makes imaginative use of an unexpurgated copy of the Necronomicon found in an Afghan cave. Doyle eschewed the supernatural in his Holmes stories; but as Holmes observes in one of the stories here, we're dealing here with science, not magic --and Doyle's own Holmes stories sometimes find the great detective dealing with matters science-fictional. The more successful tales tend to adhere to traditional Holmesian scenarios, such as those by the two editors: Irene Adler is a major figure in Elizabeth Bear's "Tiger!

Shadows over baker street


Vaughn Sherlock Holmes and the Ancient Gods, etc. Lovecraft were masters of mood and suggestion, qualities in short supply in this anthology collecting 18 all-original tales in which Sherlock Holmes and other Doylean characters confront various Lovecraftian horrors. Watson's untold cases, while Reaves's "The Adventure of the Arab's Manuscript" makes imaginative use of an unexpurgated copy of the Necronomicon found in an Afghan cave. Kiernan's "The Drowned Geologist," with its sly Dracula allusions, relates more closely to her novel Threshold than to the book's theme. Most of the 18 stories here by 20 writers --two are joint efforts utilize Watson as a narrator, and all but one include Holmes as a character. While Lovecraft concentrated almost entirely on male characters, some of the writers here, happily, do not: Irene Adler is a major figure in Elizabeth Bear's "Tiger! My favorite like that of some of the other reviewers below is Neil Gaimann's brilliant alternate-world yarn, "A Study in Emerald. Some of the stories make a passable imitation of Doyle's narrative style, and some employ a suggestion of Lovecraft's purple prose in describing the Cthulhu-like phenomena; but mostly the similarities are of characterizations and concepts, not actual style. The antithetical character of the juxtaposition is more apparent than real: Doyle eschewed the supernatural in his Holmes stories; but as Holmes observes in one of the stories here, we're dealing here with science, not magic --and Doyle's own Holmes sto Doyle's Sherlock Holmes canon and Lovecraft's Cthulhu Mythos have both long been favorite subjects for pastiches; and given the number of contemporary writers who are fans of both, it's not surprising to find an anthology bringing them together. As is usually the case in multi-author anthologies, the quality of the work is uneven. At the small-press level, Holmes has contended with Cthulhu in a series of adventures by Ralph E. All of the stories are shorter than the typical Lovecraft work, and hence aren't developed to the same degree; and compared to the original Holmes canon, Sherlock is actually not called on to do much deducting here --most of the authors simply conveniently assume a prior acquaintance on his part with the Necronomicon. Both Lovecraft and Holmes fans, and "horror" fans in general Shelves: Given the high concept of mixing the distinctive worlds of two classic genre giants nicely captured in the pulpy jacket art , this one should succeed in the commercial marketplace by virtue of curiosity value alone. Mar 10, Werner rated it really liked it Recommends it for: Doyle eschewed the supernatural in his Holmes stories; but as Holmes observes in one of the stories here, we're dealing here with science, not magic --and Doyle's own Holmes stories sometimes find the great detective dealing with matters science-fictional. Just as good are Richard A. A few stories here draw directly on specific Lovecraft originals, but most do not, and the majority of the writers though not all of them refrain from existential pessimist sermonizing --which was not always explicit in Lovecraft's own writings, either. In the main, though, these stories succeed well on their own terms, as well-written works of horrific sci-fi with a Victorian ambience --best appreciated by Lovecraft and Doyle fans who recognize familiar characters and premises. Powell's Arthur Conan Doyle and H. The more successful tales tend to adhere to traditional Holmesian scenarios, such as those by the two editors:

Shadows over baker street

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4 thoughts on “Shadows over baker street”

Samuhn

20.03.2018 at 10:12 pm
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Some of the stories make a passable imitation of Doyle's narrative style, and some employ a suggestion of Lovecraft's purple prose in describing the Cthulhu-like phenomena; but mostly the similarities are of characterizations and concepts, not actual style.

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